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Posts Tagged ‘Architecture’

We are the virtual preservation society…

Monday, September 7th, 2009

Should we try and preserve web sites as part of our cultural history, or should they be left to rot, like a ruined building?

Thoughts on this subject have been blowing around my head recently, mainly because of two things.

The first was my recent and fascinating tour around the Temple Works site in Leeds. I was lucky enough to be able to see this amazing building ahead of its refurbishment and transformation into a cutting-edge cultural and co-working space in Holbeck. Its unique Egyptian-themed facade hides a varied history. It’s a groundbreaking building, both in terms of its engineering and the respect with which its employees were treated, and I’m delighted that it’s getting the attention it sorely needs to preserve and renew it.

 

Facade of Temple Works in Leeds

Facade of Temple Works in Leeds

However, the most interesting part of the trip was through the areas which were most recently used by Kays’ Catalogue in the mid-’90s. This part of the building was very ‘Marie Celeste’ in its feel, with much of the paraphernalia of day-to-day working life left behind – plates in the canteen, filing cabinets full of old documents, and so on. The detritus of relatively recent human inhabitance gave it a strange atmosphere - partly ghostly, partly mundane.

 

Ghostly photo of an old netball team, inside Temple Works

Ghostly photo of an old netball team, inside Temple Works

As Temple Works stood on the day of my visit, it was at times creepy, funny and sad. I often think it’s a shame that places like this have to be renovated. Of course, it would be criminal to leave something like this to rot, but by the same token, sweeping away such an atmospheric place is also a shame. As such, I was glad I had the opportunity to see it.

 

Web site ruins

The second thing which happened recently was my realisation that after The Designers Republic folded, its online shop, thepeoplesbureau.com would also cease to be a going concern. I was always a fan of the site – it was a bold and characterful embodiment of the personality with which tDR carried themselves, and one of the few web sites with sound which didn’t have me lurching for the ‘mute’ button.

 

All that remains of thepeoplesbureau.com on archive.org

All that remains of thepeoplesbureau.com on archive.org

 

Thepeoplesbureau.com is no longer online, as there is no company to run it. A quick trip to the Wayback Machine (the internet archive project) reveals precious little. The site’s reliance on a product stock database means that there is nothing more than a background graphic remaining. Even searching online reveals no screen grabs – there is barely any evidence that this vibrant and fun site ever existed.

 

A call-to-action from thepeoplesbureau.com

A call-to-action from thepeoplesbureau.com

 

Unlike buildings, which slowly rot over time, web sites can completely disappear instantly, and without warning. This is a huge shame. Unless designers hand over the contents of their hard drives to the Design Museum, how are we to be able to look back over the development of this medium?

I love looking at things from the past – old books, objects, posters, etc. This all adds to my mental library, and gives me a broader well of inspiration to draw from when I work on my own projects, but how will designers of the future be able to look back on things which aren’t being preserved?

Or am I being too precious here? Part of me wonders if classifying web sites in the same way as we would classify other areas of design is missing the point. Our experience of the internet is hugely reliant on context – where we are, what we are doing and who we are connected to. Would looking at a web site out of context be nothing more than staring at some meaningless images?

Should we then, look upon web sites in the same way as other transient cultural creations, such as theatre performances, rock concerts or art installations? Things which make an impression on people at the time, part of which is the knowledge that the experience will never be repeated? I’m not entirely sure, but I would have loved the opportunity to browse around Thepeoplesbureau, whether it had any stock or not, one more time, before it was virtually demolished.

Designing and building for the future

Tuesday, August 4th, 2009

I have always been a fan of post-war architecture, and its attempts at doing things differently. I admit this is partly due to being a child of the 1970s. I grew up surrounded by these kinds of buildings in Birmingham - many of which are no longer there (most notably Birmingham’s Bull Ring).

However, looking at things objectively, as maligned as a lot of it is, I admire those who pushed it forwards, even though much of it ultimately failed in its goals.

The whole idea was to build a brave new world, and to try and wipe away memories of a Britain ravaged by war and bombings. What better way than to create buildings that looked like nothing that had come before? Concrete allowed for huge structures - towering monuments to the future. New shopping centres and social housing projects were designed to encourage community relationships and revitalise the economy.

 

Birmingham Central Library, photo by Martin Hartland

Birmingham Central Library, photo by Martin Hartland

Look at Birmingham’s Central Library. I don’t care what Prince Charles thinks of it - there’s a strength and power to its form that puts learning at the centre of the city. I haven’t been inside it since the late ’90s, but it’s equally interesting inside, where you can look down from upper floors to those below. I do hope they’ve changed the yellowy lighting since then, though!

 

Park Hill in Sheffield, photo by Paolo Margari

Park Hill in Sheffield, photo by Paolo Margari

The Park Hill development in Sheffield is staggering. Built between 1957 and 1961, it is the largest listed building in Europe. The original concept was to create ’streets in the sky’ - a noble and exciting sentiment indeed! It’s currently undergoing renovation.

Of course, it is easy for me to praise something like Park Hill - I’ve never had to live there. As a project, it inevitably failed, and the council more recently found difficulty finding tenants, due the crime rate and poor state of repair of the building.

 

Ambition + research

It is my job to ensure that the work I do is fit for its target audience, through research, testing and iterative development. Maybe that was what was lacking from the development of buildings in the ’60s. Perhaps someone might have pointed out that Park Hill could be abused by muggers due to its structure and layout.

However, what fills me with admiration for all of this is how its creators were really striving for something more - to make a better world for its inhabitants, which is something everyone working in the creative industries should be encouraged to do.

 

A New (Design) World Order?

Right now feels like a good time to think about things like this. America has a new, more liberal president, who espoused to the world the importance of making the world a better place. Miscommunication and misunderstanding are still causing wars, yet the internet allows for unparalleled global communication between people who have never even met. The global economy has put bankers and politicians to shame, but also maybe made many of us realise we really don’t need to replace our year-old iPods just yet.

Will this new-found solemnity arising from the events of the last decade drive new styles and standards in the world of design? Hard to tell right now, but it will be interesting to see where things go over the next five years.

 

Many thanks to Martin Hartland and Paolo Margari for the use of their photos in this article.